Is there anything as frustrating as having a partial request, or a full for that matter, form rejected by an agent or publisher? Well, if there are, brothers and sisters, I sure as Hell do not want to know about it. This business is rough and depressing enough without you lot making things worse by introducing my virgin sensibilities to the negativity I’ve been fortunate enough to avoid so far. So there!
Now, truth be told, we all know just how much of a pain in the ass the above question is. It probably wouldn’t be so bad if the gatekeepers would just give us a hint as to why they didn’t want our story… or at least come right out and tell us we suck mountainous rocks. But, no. For the most part they just leave us to twist in the wind like an old plastic bag that got caught in the limbs of a dead tree.
To be fair, though, you’d have to know how busy agents and editors really are. And I’m not even going to go into how much they actually have riding on the decisions they make daily. Agents a little less so than an editor. All the agent misses out on with a bad decision is a potential commission. The editor risks their job if they make too many gaffs and start costing the publisher money.
Ok, you caught me. I did it anyway. But you can’t begin to understand why you may have gotten that form rejection without understanding what the other guy has laid on the line.
Quite honestly, almost every rejection you get will be a type of form rejection. Face it, brothers and sisters, your manuscript is one of hundreds that come in the P.O. box, or e-mail, daily. The gatekeeper’s ‘to do’ box grows at a rate that would make a politician’s bank account jealous. Odds are, unless the ‘personalized’ rejection was hand written expressly to you; it’s just a gentler form rejection that has probably been sent to quite a few other would be authors, verbatim.
Like it, or not, we’re just another faceless manuscript in an ever growing pile of manuscripts. If you have ever done a well thought out critique, then try to imagine doing that for several 100,000 plus word stories a day. Starting to see why you get a form rejection instead of a personal response that will take twenty or more minutes to write, yet?
Hell, it takes me a whole day to do a critique of one chapter for one of my crit partners. I can’t even imagine trying to do it for a whole novel with a hundred more waiting for me to get to them. And we want an agent to drop what they’re doing and give us detailed reasons for our rejections? Would you, if you had all that work to do? (For those of you who said, “Yes.”, I’m Henry the Eighth… pleased to meet you.)
So, I’m going to let you in on a big secret in the publishing industry. When you have a polished story that has been put through all the proper channels of beta reading, critique partnering, revisions and rewriting, then still get a form rejection. The most likely reason is this: The agent, or editor did not think they could sell it.
It’s actually that simple. This is a business, and if they don’t believe they can make a buck or two off the work they are going to reject it. None of the gatekeepers are in the business to give you, or me, writing lessons. That is our job, not theirs.
If you suspect it is your writing, then you need to get busy with your end of the deal and work on your art. If you do have a good story that the gatekeepers don’t think they can sell, then you have two options. Trunk the book as a non-commercial idea whose time has not yet come, or prove ‘em wrong and put it out there yourself. After all, the reading public is the only critic whose opinion is worth a damn, anyway.
If you can sell it big, I’ll personally guarantee the agents and editors will be beating a path to your door to represent your next book. As I said, this is a business, and you just proved beyond doubt that you are a saleable commodity.
Does the post seem a bit cold so far? That’s probably because this is a cold business to try and break into. It always has been, and a little research into the struggle of famous authors will prove it. But, I am not a cold person, and neither are a lot of other writers I know of. So, in that spirit, and being true to my real nature, let me offer you some help in getting where you want to go. (If your still reading this, that is.)
There is wonderful on line community of writers in all phases of the publishing experience known as AgentQuery Connect. You can find all sorts of help on every phase of this job there. I warn you though, it is an addictive place to be.
Another fantastic on line resource for writers is WritetoDone. I would also highly suggest downloading their free EBook, The (nearly) Ultimate Guide to Better Writing. The link for it is on every page there, so you won’t have any trouble finding it.
Ok, so much for the free resources that can help you cut your odds of being rejected. Time to see just how serious you are about becoming a published writer. How bad do you want it, and how much are you willing to invest in yourself, and your craft? I’m not talking a fortune here, but if you are unwilling to spend a little on yourself and your craft, then I have to question just how badly you really do want to be a writer.
There are two books from The Writer’s Digest that are really helpful. Bargain hunters can probably find them cheaper on Amazon, but however you get a hold of them, by all means, stop being so cheap and get them. They are:
No More Rejections: (50 Secrets To Writing A Manuscript That Sells), by Alice Orr
Writing the Popular Novel, by Loren D. Estleman
Google both titles, or follow the above link to The Writer’s Digest, and acquire them both. At the worst you’ll spend about $45.00 on yourself and your craft. Surely you’re worth $45.00? Well I think you are, and you’ll be very happy if you think so, too. (C’mon, be honest. You spent at least that much in one month on entertainment that didn’t do a thing for your career.)
Best of luck, and…